By Patrick Racela
Join Mula Sa Ugat (MSU) for We Stand On Their Shoulders: The 12th Annual SFSU Filipino-American Community Mural Celebration on April 8th and 9th at Jack Adams Hall from 6:30PM to 9:30PM. Wednesday April 8th will consist of an educational component covering the history and meaning of the mural. Thursday April 9th will consist of the celebration with free food, giveaways, and performances. We hope to see you there! You may RSVP at our FB event page: https://www.facebook.com/events/791850370869313/
The vibrant history of the Filipino people has long left its mark in the city of San Francisco. From the manongs and manangs who found refuge in Manilatown after completing seasonal work along the west coast, to the young Pinoys and Pinays who found a cause in organizing the Philippine American Collegiate Endeavor to link with other third world students and communities to fight for relevant education and other burning issues of the time, to those of us today who are part of a community that has upheld a rich tradition of resistance in the face of social, economic, and political issues. We are people who carry the Bayanihan spirit moved to uplift one another, to empower and build our community; it is the same spirit found in those who have come before us.
A mural at San Francisco State University reminds us of whose shoulders we stand on. Finished in 2003, the Filipino-American community mural is the only piece of its kind at any college campus in the US. It is centered on the peoples’ movement in the Philippines and its relation to our experiences as Filipino-Americans. The mural is divided into four sections: solidarity, community, struggle in the Philippines, and struggle in the US.
Solidarity is expressed by Andres Bonifacio’s rising sun, representing the revolutionary tradition of the Filipino people who resisted Spanish colonization for over 400 years. The rays of the sun span across all parts of the Philippines and any place you can find a Filipino. It is derived from his personal Katipunan flag. To the front of the sun are people of color with arms linked together signifying our unity with all people of color.
At the center of the mural is Lorena Barros, an activist from the martial law era who founded the militant women’s organization, MAKIBAKA, representative of youth and students. She is flanked by Purmassuri on the left, a Moro leader who was key in preventing the Spanish from gaining a foothold in Mindanao, representative of indigenous people. To the right of Lorena Barros is Al Robles, a poet and local San Franciscan who pioneered as a prominent leader during the housing movement, representative of the elders in our community. To the bottom left is Philip Veracruz, a farmworker and key organizer of the Delano Grape Strike, representative of the workers. To his right is Violeta “Bullet X” Marasigan, a participant in the Third World strike and founder of the women’s organization, GABRIELA, representative of women. These figures uphold our community; we embody who they are.
The struggle in the Philippines is captured so that we as Filipino-Americans will always have a grasp of our Motherland. At the very bottom of the mural is the Philippine national animal, the carabao. It embodies industriousness and the strength of the Filipino people. Peasants, one of the most oppressed sectors of Philippine society, are depicted planting rice, signifying their ongoing struggle for the right to their land. A woman playing the indigenous instrument, a kulintang, represents the importance of music in indigenous culture. Lastly, students and workers are depicted fighting for a dignified way of life amidst the issues of militarization and poverty engendered to the basic problems of the Philippines.
The Filipino-American struggle is envisioned on the right. At the very top are the organizers and protestors who fought for the I-Hotel, highlighting the issue of gentrification in San Francisco. Below are WWII veteranos and nurses who fight for recognition, equality, and a better way of life. The students of SFSU are depicted to capture the trials and tribulations of our community today.. A DJ is also present to signify our musical experiences, namely in Hip-Hop culture. Finally, farmworkers are shown planting seeds to represent the roots of our community.
We stand on the shoulders of those who come before us. We are at a time where we must be makers of our own history. We must heed the call of movement just as our ancestors have done to fight for a better future.
Kaisahan Balita - Pilipino American Collegiate Endeavor 